Ah, to sell or not
to sell, that is the question. When it
comes to selling digital files of the images created it becomes quite a dilemma
for many photographers. There are
probably as many schools of thought on this as there are professional
photographers.
As the
photographic industry has transitioned from film to digital capture the
consumer has become much more astute to the process involved in creating the
final images sold to them. Here a couple
of suggestions to help photographers deal with this often times misunderstood
process.
First, let’s
consider the business side of this decision.
The fundamental question is the photographer’s profitability. In other words what does the photographer
need to make from each session to maintain the profit level they need to stay
in business?
Understanding and
knowing where the sales average needs to be on each job and pricing
appropriately to achieve that average will assure you are profitable. So now the question becomes how to make the
image files available to our client once we have met our threshold of
profitability. Once it is met it
probably begins to make sense, from a pure business perspective, to allow the
client to purchase the image files.
With this in mind,
once the client has reached a certain investment level with the studio it may
be alright to sell them the image files for an additional fee. Creating additional incentives, bonuses and
minimum order requirements are all ways to get the client to the purchase level
the photographers needs them to be.
The photographer
can also consider allowing the client to purchase reprints from them at a much
reduced price once the minimum order requirement is met. This way they are still on control of the
quality of prints which are being made.
The client may
decide it is simply easier and better for the photographer to maintain the
files and get additional prints from them if and when the need arises.
Secondly, and more
fundamental to most photographers is the idea of giving up control of their
image files. Losing creative control can
be frightening and the products created outside of that control can put sub-par
images on the street.
This should be a
decision made by each photographer as a reflection to their desire to maintain
creative control and the overall mission and vision for their business. Also, if the photographer wants to keep the
image file it will require a system of file management, backup and storage.
Either way,
consider only offering the image files which the client placed orders. If they did not like an image well enough to
purchase an image originally why would they want the image file?
In summary, set
your prices and create a structure which assures your profitability. Consider the pros and cons as they apply to
your business and your desired ongoing relationship with the client and finally
how you want to be perceived in your market area.
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